I know all there is to know about the SVU. I've had my share of the SVU. First there's a body, then there are slurs. And then, before you know where you are, you're saying Dick Wolf.

Once again, we meet a trans character who is placed in the middle of a brutal scene, and the usual ham-fisted SVU shenanigans ensue. Buckle up, kids!

This one gets all up in the confessional, culminating in a no-holds-barred Catholic-off between Stabler and Father Michael Sweeney (Eric Stoltz--or is it Stolitz?). Red herrings and misdirects abound, and since we're watching an SVU dealing with the Catholic Church, you can assume that some priest were taking some liberties with parishioners of an underage variety. While this one might kick off with some jarring early-season transphobia, it also has a lot of wild fun stuff, and if you weren't paying attention to the priest's name, don't worry, Josh caught it.

If watching beloved characters make terrible choices thereby endangering the careers and lives of basically everyone they come in contact with is your cup of tea, then this week's SVU starts hot and keeps on delivering. In it, we see Detective Olivia Benson blunder from one bad decision to another in a bizarre attempt to share a few giggles with a brother she'd never met until she started running an unauthorized, after hours stakeout on him. We also see Stabler, without house or family since we are deep into Season 8's bad Stabler, come very close to being kicked off the police force as a result of covering for his partner, and of course we see our beloved Captain Cragen have to clean up his "two best detectives" bullshit so many times that I'm shocked he survived this one without a massive coronary.

A teen girl in a domestic disturbance call ends up being pregnant and unwilling to divulge much information about who provided the batter for the bun in her oven. While fighting off the urge to vomit, the Munchie Boys dive into the disgusting reality of what stepkid smut would have you believe is titillating but ABSOLUTELY is not. They also take up arms in a fight that must be waged, defending the honor of a state being unjustly impugned by a writers staff with wanton disregard for actual laws on the books.

We were fortunate enough to have been graced by the presence of Michelangelo Milano this week, who dedicated listeners will know as Patrick Binder, the boyfriend of Taryn Manning's character, Larissa in Season 12, Episode 12 "Possessed." Not only does he appear in one of just TWO EPISODES OF SVU TO RECEIVE A PERFECT 10.0 FROM US, but he plays a huge part in what might be the most memorable scene we've ever seen in the history of this show. We had a great chat with Michelangelo, who told of his life's path to a random apartment in New York where he just so happened to grapple for hours with the older brother in Home Alone (who was wearing nothing but a creepy mask and a pair of whitey-tighties) and where he's been since.

In conjunction with this week's interview with Michelangelo Milano, who plays Patrick Binder, Larissa/Brandy's boyfriend in this episode, we are dropping this classic episode back into the feed. Make sure to listen to Michelangelo's interview which dropped today, and check out his podcast, The Return Slot... Of Horror (YouTube, Apple Podcasts, Spotify).

Wanna hear what happens when an episode breaks the Munchie Boys and their patented SVU-episode scoring system? Well, “Possessed” (Season 12, Episode 12) broke it like the Kool-Aid Man. Next to every other of the 96 episodes they’ve watched so far, this beautiful piece of art had Adam and Josh contemplating some pretty grand concepts like: was Jerry Horne’s Twin Peaks walkabout really a representation of the liminal state at the end of his life where he was just looking for his Brandy? what exactly was contained within the pages of Buzz’s skin mags that Kevin couldn’t wrap his head around in Home Alone? where is the line where we progressives can stomach police brutality? are we seeing the tripartite peak of pedo performance?

If this were a podcast that employed trigger warnings, it’d probably have to get tagged with all of them. Instead, you are advised to hold onto your butts. There is simply an abundance of insanity that’s too fantastic to ignore. Bask in the glow of “Possessed,” listen, and rejoice.

We all remember that great teacher from high school who would go the extra mile for all of their students. This episode of SVU presupposes that that exemplary educator is most likely a gang-bang addicted sex-club enthusiast on the side. This wild ride takes us from the heights of the pre-2.0 internet to the depths of "Dante's Inferno" and to every lurid second unit photo shoot in between. We need to give special mention to both art department who spared no depravities in their work for this episode, and for the outstanding quality of the background actors, who give (too much?) life to their wordless roles.

Stepdads can really be jerks, right? This episode of SVU definitely agrees with you. Your stepdad might be a one-of-a-kind A-hole, but I'm guessing he didn't get you into an underground fight club run by the white cabbie cabal where their adolescent children or charges throw down instead of them. This being Season 12, the episode careens all over the place, but it ends up with Elliot case-blocking Hardwicke in a prime Fatherly Stabler moment.

In our first brush with Season 25 of SVU, we are immediately thrown into a deep backstory flashback featuring a character hitherto unknown to Munch My Benson. If that wasn't jarring enough, a certain hit single from the seminal '90s album Pocket Full Of Kryptonite features heavily in said flashback, which obviously means the Munchie Boys have A LOT of reminiscing to do about Spin Doctors. In a shocking twist, Vice Presidential candidate--and couch lover--JD Vance might have made an appearance here as well. Lots to unpack folks.

The rape of a woman just outside her apartment building frays the social fabric of New York, when so many of her neighbors saw something happen, but none of them took action to help or even notify the police. This being a season 17 SVU, one can't help but notice the racism bubbling very close to the surface in the portrayal of the 3 bad teens who assaulted her, and of the urbane Lower Manhattanites who refused to notice a damsel in distress. We, of course, were more interested in which East Village coffeeshops allow the open sale of ketamine inside during business hours, and why Adam never visited during his time there. We also meet a magical drunk man on the witness stand, and a Carisi unlike any we've seen before.

Picking up where we left off in MMB 219, we had a SUPER bad dad who was just found not guilty of ummm, SAing his son to show him what a real man is. The Munchie Boys were left to wonder what fresh hell awaited them upon returning to this foul ground in a second part that seemed unnecessary, and this one did not disappoint in terms of exceeding their already low expectations. There are bad episodes of SVU, and then there's this week's installment, which achieves lows hitherto reached only once before.

For our 220th episode, the Munchies voted and selected a wild Season 11 SVU which sees the unit inexplicably called to investigate an arson leading them first to suspect streaming TV's It Boy, Jeremy Allen White, who is sporting the most disgusting zit makeup ever imagined, before the investigation shifts to a grief-stricken dad. This one marks the first appearance of Sharon Stone as Jo Marlowe, and makes the savvy Munchie wonder if Benson has seamlessly shifted from BenBot to JoLivia in the few episodes since Cabot left for the Congo.

There are bad dads, and then there’s the one played by Dylan Walsh in the two-parter to kick off Season 20 of Law & Order: SVU. Be prepared for some gnarly stuff. Also, be prepared to watch the seasoned detectives on this unit have no idea how to investigate crimes they’ve been investigating for decades. At least we get some pretty hawt Stone action in the cold open…

This Season 12er takes us on a wild ride from unionizing dry cleaners, to piss-wielding nurses who just need an early-morning quickie, to militant environmentalists, and finally to the first installment of the Calvin Arliss saga which might have spared us all from the horrors of Baby Boy Doe, but for the fact of a clearly non-legally binding guardianship document. So many wild things happen in this one before it devolves into a weird template for later SVU character development.

This week's installment really takes the Munchie Boys on a wild ride, starting with a working boy stumble-crashing a wedding in his boxers, dipping its toes in the water with Finnish furniture design and Altoona-style pizza, and finishing with a perp stroking Elliot's hand asking if he's going to protect them. Along the way, we take a voyage through high-end gigolo culture, the world of political donors and ambassadorial appointments, and one of the most extreme instances of folie à deux imaginable for a married couple. This is a classic early season journey where we're a pinball flicked between weird plot points in a way that's truly refreshing after spending so much time in late-season SVU.

When an overprotective mom has a second daughter disappear, only to be accused of smothering the second daughter and murdering the first, you know SVU is going to be involved. This one features an aggressively weepy Joan Cusack and some seriously sassy kid work from Bailee Madison. Watch as the entire world gaslights this mom into insanity while she's right about what happened all along. Oh, Liv also turns down a date for no good reason.

Cold Case comes in with a cold case, and Olivia's ancient history comes screaming into this week's big-round-numbered installment of Law & Order: Special Victims Unit. The old friends who join us this week are a welcome sight. Olivia's personal relationship with an older man alluded to in prior episodes, however, was much less welcome, as everyone around her tells her what she needs to hear while she bafflingly ignores their advice and is a real jerk to an old partner in the process.

The Randomizer finally gifted the Munchies with a Season 11 Stablersode, and in classic fashion, our beloved, bechiseled-butt-cheeks boy takes an already convoluted mess of a case, and thoroughly Fs it in the B. Here we see a karate-loving ponzi schemer get off on rubbing out his accountants whenever the market takes a downturn, before passing the episode's baton to his attorney who might have protected her client's confidentiality but certainly did not protect his person.

SVU takes on the tony world of upper-crust prep schools, which would often be quite the turn-off for the Munchie Boys, but an episode that could otherwise have fallen into any number of traps is buoyed by fantastic performances from some heavy hitters. The gloves come off and whoever had it in for prep schools in the Season 14 writers room lucked out and got Charles Grodin, Elliott Gould, Anthony Rapp, and Buck Henry to come in and knock it out of the park in a story focused on an institution that didn't just fail its charges--it serially and systemically sexually abused them.

When the Randomizer chose an SVU featuring one of the Munchie Boys' all-time favorite actors (Ian McShane) as the Harvey-Weinstein-esque heel in Warren Leight's triumphant return to showrunnerdom, we were understandably excited. While McShane shines, certain choices by said showrunner leave the boys baffled and wishing for what might (should?) have been.