Adam's Paternity Leave is nearly over, but while we still have a couple weeks left, let's look at the last of a pair of episodes featuring a very tall Emmy winner of yore.

The Munchie Boys pick up where they left off last week, trudging through the murk as Ray’s tall brother faces the fallout from having been charged as a serial rapist while the Correction Officers’ Benevolent Association possibly threatens Barba’s life for having the temerity to come after one of their guys. This fallout includes the first—and thus far, only—time an officer on the Unit dies in the line of duty, which gives Adam and Josh quite a bit to mull over while wondering why the stakes were lowered so much before offing him. Any episode that has Chekhov’s gun go off while also not having Chekhov’s gun go off means there’s going to be plenty of plot discussion to be had. There are also plenty of discussions about the typically insane things that SVU forces one to reckon with, namely intimidation wizards, phantom door-locking chicanery, the hilarity of needing apple boxes in hostage shoots, and much, much more.

Adam's Paternity Leave is near its end, but while we still have a few weeks left of it, let's look at the first of a pair of episodes (we'll pick up the second installment next week) featuring a key Emmy presenter from last night.

Hot on the heels of an episode that nearly broke our rating scale, the Munchie Boys watched Part 1 of a two-parter featuring Ray Romano's kooky brother Robert from the hit turn-of-the-century sitcom for olds, Everybody Loves Raymond. Fans of that show will remember that the actor in question, Brad Garrett, is really, REALLY tall. This causes the kind of continuity problems that only SVU can create. We're obviously talking about complex genital geometry problems. We would, of course, be remiss if our discussion stayed on topic, so expect to hear about Chinese New Year, more car talk from Josh, Rikers Island, and Predator.

Adam's Paternity Leave continues, but there's light at the end of the tunnel, so let's get conspiratorial.

What happens when a quaint little ripped-from-the-headlines Law and Order: SVU plot becomes a raging storm of insanity that sweeps the nation and leads a ragtag mob of jet ski dealers, realtors, and Neo-Nazi extremists to invade the United States Capitol? Well, the Munchie crew does their level best to answer this question and many many more as they watched "Real Fake News" (s18e17). Do you want to know what a teenaged Adam was watching at 1 in the morning on Austin cable access? Are you intrigued by the concept of a hot pot fusion restaurant that fully immerses you in a 4D psychedelic experience? Are you ready to mainline some pro-MSG propaganda and get fully Umamipilled? Everything they told you is a lie, unless, of course, they told you to fire up this hot Munch My Benson.

Adam's Paternity Leave continues, so let's get dark and problematic this week.

Mere weeks after covering its successor in the Baby Doe Parentage Saga, the Randomizer selected “Undercover Mother” (Season 16, Episode 15) for the Munchie Boys to cover.  Undercover Mother is frankly an insufficient moniker to give this episode, as another mother goes undercover for our undercover mother, along with most of the rest of the Unit. Insanity reins supreme as SVU’s undercover op interferes with Declan Murphy’s own undercover op, one in which he’s working on taking down the brutal Johnny D but not without showing that he’s in so deep that he’s basically a human trafficker himself. We talk the careers of Lili Taylor and Donal Logue, the history of the defunct Creedmoor Psychiatric Center, Eric Adams’s purported sleep schedule, SVU’s love for undercover ops, and much, much more.

Adam's Paternity Leave continues, so we're going to drop in the first of two brainmelters.

After reckoning with the horrific current events aspect of this week's installment, Adam and Josh get down to brass tacks with “Military Justice,” which depending on where you watch it is either Episode 7 or 8 from Season 15 of Law & Order: Special Victims Unit. We discuss the essence of Galveston, the most heinous crime in the Boschiverse, the general self-preservation skills of ensigns, and Rollins straight-up laying a dude out, while marveling at a shockingly good episode of SVU complete with efficacious character development and some real tearjerking moments. And a lot of peen.

Another Paternity Leave Installment, and this time we're going with a pretty famous double-ripped-from-the-headlines episode.

We at Munch My Benson like to go off on tangents, and the intellectual fuel provided by "American Tragedy" (S15E3) propelled us pretty far out there. We learn about old New York when it was still basically New Amsterdam; we break down Cybill Shepherd's accent as it wavers in and out of caricature; we delve into the Trayvon Martin and Paula Deen cases from whose headlines this episode was ripped; we learn about John Cougar Mellencamp's extended family; and, we definitely talk about whether or not it's socially acceptable to deck a bald man in the middle of the night on a lonely street corner. Enjoy!

Another Paternity Leave Installment, and we're turning to an episode where we spoke at length about an issue that's particularly germane to what's happening now.

This week’s selection is Law & Order: SVU’s swipe at the anti-vax movement—“Granting Immunity” (S16E19)—which puts the vulnerable Baby Doe in the path of a measles outbreak spawned by the casual dismissal of science by rich dick Tribeca parents who clearly know more than epidemiologists and have conspired to circumvent New York’s mandated vaccinations for all students. This leads the Munchie Boys to investigate just what started this anti-vax MMR-causes-autism nonsense that’s since metastasized in much more widespread and nefarious ways. Don’t worry, there’s also plenty of fun to be had, including (but not limited to) the virtues of Susie Essman, the horrors of opening montage music, the hilarious inappropriateness of filmed teenage sex parties, and the watercooler TV-watching habits of the dedicated detectives of the Special Victims Unit. Is this the scariest episode of SVU in Munchstory? Only one way to find out.

Another Paternity Leave Installment, and we're whipping one out that was ripped from the headlines...

Well, kids, we’ve got ourselves a very special Barbasode, complete with a super fun headline rip. This week’s episode of SVU? Season 15, Episode 8, “October Surprise.” The inspiration? Anthony Damn Weiner. Needless to say, there is TONS to talk about, like how likely is it that a mayoral candidate’s foot-jobbing side-piece would get shipped off to work for the Israeli Labor Party and how likely is it that said side-piece killed said political party? What would your Anthony Weiner alter ego name be? What should have won Best Picture in 1938? The answers to these and so many more burning questions can be had within the run of this installment.

The rape of a woman just outside her apartment building frays the social fabric of New York, when so many of her neighbors saw something happen, but none of them took action to help or even notify the police. This being a season 17 SVU, one can't help but notice the racism bubbling very close to the surface in the portrayal of the 3 bad teens who assaulted her, and of the urbane Lower Manhattanites who refused to notice a damsel in distress. We, of course, were more interested in which East Village coffeeshops allow the open sale of ketamine inside during business hours, and why Adam never visited during his time there. We also meet a magical drunk man on the witness stand, and a Carisi unlike any we've seen before.

SVU takes on the tony world of upper-crust prep schools, which would often be quite the turn-off for the Munchie Boys, but an episode that could otherwise have fallen into any number of traps is buoyed by fantastic performances from some heavy hitters. The gloves come off and whoever had it in for prep schools in the Season 14 writers room lucked out and got Charles Grodin, Elliott Gould, Anthony Rapp, and Buck Henry to come in and knock it out of the park in a story focused on an institution that didn't just fail its charges--it serially and systemically sexually abused them.

If there's one thing that SVU does consistently, it's dealing with trans issues indelicately, and this week's installment--the first under Rick Eid's guidance--is no exception. Season 18's Broken Rhymes has the unit dealing with trans bathroom usage in a way that isn't even remotely close to the law being discussed. Of course, this one also sets our trans victim--who is on life support by the cold open and not given much in the way of agency or depth--against the world of hip-hop, bringing in Wyclef Jean to, well, not do much. This wouldn't be a trans-focused SVU ep without homophobic and transphobic epithets being slung or the paint-by-numbers conversation amongst the members of the unit explaining trans people to Middle America, so steel yourself for that.

For our 200th episode, the Munchies let the sword of Damo-Kim drop. That's right folks, this week we watched the episode that introduced the most dysfunctional sibling in the entire SVU universe, Kim Rollins. We are also treated to a "never let your teen daughters go to New York" A-plot, which postulates that there are hordes of child pornographers hanging out in hotel lobbies across the city, ready to pounce on unsuspecting teens who are sick of museums. This was much more fun than expected, enjoy!

When we think about what SVU is "about," things like advocating for victims of sexual abuse or normalizing coming forward about abuse or copaganda generally come to mind. This episode, however, is about something entirely different. It postulates that the entire state of New Jersey is irredeemably corrupt and downright evil. From the seagulling scumbags of the cold open to the heights of political and judicial power, the Garden State would appear to have no good side. Did onerous bridge tolls, overpriced beach towns, and the inability to pump ones own gas so poison the Season 15 Writers Room as to turn them this decisively against Jersey?

In Season 15, the SVU writers room decided to revisit the subject matter of the Season 12 All-Timer "Possessed," wondering what it would be like without a Bud the Ninja Pedo gleefully pawing at pics of younger incarnations of their vics or other pedos defending themselves at trial by using the "of course my ejack was all over this pornographic physical media" defense. Well, the result here is harrowing. And, like, obviously, it probably should be. Yeah, it should be. But when it's played this straight, uhhhh, it's tough. It's also a pretty good platform for eventual White Lotus guest Meghann Fahy to strut her stuff.

When a Nassau County Cop's awful, investment banker son rapes a woman after a miserable Halloween party next to a pile of disgusting New York City trash bags, you know SVU is getting the call. What you might not expect is that this time, the goose is Benson's former partner, the budget did not account for Halloween, and that the budget also did not account for requiring a script. Along the way, Benson gives such a subtle, loving prison-rape-taunt that you might well miss it, unless your brain is as thoroughly SVU-pilled as ours.

As we race towards the thrilling conclusion of this two-parter, we ponder important questions such as: did SVU throw the Catholic church under the bus in order to curry favor with the location-rich Episcopalians; and, would we watch a Mike Dodds-i-series? We also get to the (power?) bottom of the spicy, ripped-from-the-headlines drama that underpins our favorite interlude from this episode.

The power brokers in New York Law Enforcement and the Catholic Church seem to be in cahoots as they end up in SVU's crosshairs. Why might these powerful men be under investigation? Oh, they just appear to be trafficking teen girls from St. Fabiola's to their closed-door sex parties featuring a slew of city employees who will gladly abuse their power to turn the tables and go after Tucker and the SVUs hot on their trail. By the end of the first part of this compelling two-parter, bodies have dropped, careers are in jeopardy, and acting and accent choices put an otherwise high-quality episode in dire straits.

Recovery is not going smoothly for Rollins this week, as she is unwittingly dragged into an all-caps MESSY ménage à quatre that ends up making her look like a dupe. Could be worse, though, she could be the guy who does a post-head header off a rooftop. Things get messy, but this is a Rollinsisode, so that should be expected. Does that excuse her going for Nate with that awful hat, though. That's a hard no.

Imagine a world in which pilots were quasi-celebrities before having performed some heroic feat. No really imagine it. Then imagine a world where the heroic feat they perform to make them even more famous could only have happened because 9/11 must not have happened and a pilot could be left alone in a cockpit, locking the entire flight crew out while she erratically turns the plane around because she doesn't want to be trapped in the cockpit with her rapist. Then imagine that this is all occurring at an airline with a retrograde hypersexualized ad campaign that harks back to the ads for which Dick Wolf was responsible in his ad man days. Because this SVU does all that.

Josh and Adam--both of whom are pretty big fans of Cutty in The Wire--are forced to watch an episode this week where Chad L. Coleman is seen Ray Rice-ing his special lady friend, played by the wonderful Meagan Good. That's not fun to watch, but it's also not fun to watch the SVUs acting against the victim's vehement wishes. It's even less fun to watch after Amaro (who is just back from beating a perp to within an inch of his life) blows up in the opening scene of "Spousal Privilege" (Season 16, Episode 8), making the audience wonder just what qualities in outburst-prone people determine that they get a second chance.

Don't worry, the Munchie Boys also use this episode to revel in RedChanIt, take notice of how many of the SVUs were abused as children, and dive deep into the life of NYC’s first black mayor, David Dinkins, who randomly had two lines in this episode.