Wherein the Munchie boys dive into an episode that treats schizophrenia with an altogether un-SVU-like degree of nuance. Along the way, we wrestle with the consequences of our actions as we are forced to issue the very first Munch My Benson correction thanks to listener, Kara, who noted that Connie Nielsen's accent shenanigans were explained in the show, and in the SVU Fandom wiki page. Josh dog sits, Adam gets into a fight with pharmacy employees, and we go extremely deep on the munchiest of topics: the mechanics of Casey Novak's softball swing, window screen installation, the origins of the Albanian language, the many, many failings of CSU Burt Trevor, and a whole lot more.

Adam and Josh wrestle with a high-profile headline rip as Reasonable Doubt casts Bradley Whitford as the Woody Allen/Roman Polanski analog in an episode that doesn't do a particularly good job of establishing what its title might suggest it should: Reasonable Doubt. Rollins and Amaro don’t believe women, a faux celebrity couple act out the Woody/Mia divorce virtually note for note, and anti-Tibetan racism runs amok. In other words, SVU still SVUs. Adam looks into the Roman Polanski rape case and the victim and poses the ideal solution for what the US Government should do with the frozen real estate of Russian oligarchs, while Josh wonders whether this episode acts in tandem with the one that follows it in sequence to mete out some revenge on The West Wing. Y’know, Munchie stuff.

It's our 100th episode of Munch My Benson, and what better way to celebrate than with an episode of Law & Order: SVU that does not have Olivia Benson in it at all. In classic fashion, The Randomizer threw us a curveball and drew a Beckisode fronted by Connie Nielsen for our benchmark podcast which features a stand-out performance from apex-child-actor, Elle Fanning. Come along as we discuss primary nuclear strike targets, NXIVM, the correct name for the 2008 film Rambo, and projecting a 17-year-old Josh Brolin.

The Munchie Boys pick up where they left off last week, trudging through the murk as Ray’s tall brother faces the fallout from having been charged as a serial rapist while the Correction Officers’ Benevolent Association possibly threatens Barba’s life for having the temerity to come after one of their guys. This fallout includes the first—and thus far, only—time an officer on the Unit dies in the line of duty, which gives Adam and Josh quite a bit to mull over while wondering why the stakes were lowered so much before offing him. Any episode that has Chekhov’s gun go off while also not having Chekhov’s gun go off means there’s going to be plenty of plot discussion to be had. There are also plenty of discussions about the typically insane things that SVU forces one to reckon with, namely intimidation wizards, phantom door-locking chicanery, the hilarity of needing apple boxes in hostage shoots, and much, much more.

Hot on the heels of an episode that nearly broke our rating scale, the Munchie Boys watched Part 1 of a two-parter featuring Ray Romano's kooky brother Robert from the hit turn-of-the-century sitcom for olds, Everybody Loves Raymond. Fans of that show will remember that the actor in question, Brad Garrett, is really, REALLY tall. This causes the kind of continuity problems that only SVU can create. We're obviously talking about complex genital geometry problems. We would, of course, be remiss if our discussion stayed on topic, so expect to hear about Chinese New Year, more car talk from Josh, Rikers Island, and Predator.

Wanna hear what happens when an episode breaks the Munchie Boys and their patented SVU-episode scoring system? Well, “Possessed” (Season 12, Episode 12) broke it like the Kool-Aid Man. Next to every other of the 96 episodes they’ve watched so far, this beautiful piece of art had Adam and Josh contemplating some pretty grand concepts like: was Jerry Horne’s Twin Peaks walkabout really a representation of the liminal state at the end of his life where he was just looking for his Brandy? what exactly was contained within the pages of Buzz’s skin mags that Kevin couldn’t wrap his head around in Home Alone? where is the line where we progressives can stomach police brutality? are we seeing the tripartite peak of pedo performance?

If this were a podcast that employed trigger warnings, it’d probably have to get tagged with all of them. Instead, you are advised to hold onto your butts. There is simply an abundance of insanity that’s too fantastic to ignore. Bask in the glow of “Possessed,” listen, and rejoice.

Sometimes life gives you lemons, and sometimes--if you happen to be on Season 12 of SVU--life gives you three days’ worth of legendary caulkhead, Jeremy Irons. It is a testament to the bizarre universe this often beautifully odd show inhabits that they chose to use that time to have him unpack the psychological trauma borne by two sisters who were repeatedly spoon-raped by their own mother. Yeah, this episode goes there, then turns around, and goes back for more. We, of course, use this absolutely depraved premise as a springboard into discussions of Josh's car troubles, Adam's isolation, the poor woman's Glenn Close, the rich man's Bryan Brown, and, obviously, our plans to ride out armageddon. As always, rate and review the podcast, and keep on munching.

Did you know that Liv tells a suspect that she knows he “stabbed the Captain with a pickle?” That’s no typo. It’s in this beautiful episode of television.

The fates (and by fates, we mean episode.lol, built for us by friend of the pod, Flet) elected to bestow upon the world the Valentine’s Day gift of Wetness—specifically S12E5 “Wet,” which is truly one of the most balls-to-the-wall, front-to-back utterly insane episodes the Munchie Boys have embarked upon in a podcast brimming to the top with insane installments. Moving past its fantastic name, this SVU is centrally concerned with: SexProwl, a professionally conceived “YouTube of sex” wherein true douchebros have a following; Soda being little more than poison for our youth; Corporations trying to buy up our water supply and the dastardly tactics they’ll employ to meet their goals; Fungi, which should never be used to hurt anyone; The true horrors that inherited wealth wreak upon the rest of the world, namely bad performance art, unwarranted cocksurety, jewelry-related guilting, unloving guardianship, drug addiction, and the framing of innocent mycologists for murder

Seriously. Mushrooms, soda being poison, water rights, and horrible rich people. And it gives David Krumholtz a truly Krumholtzian role to jazz rant his way through. This is all a gift to humankind, and we’re glad to be here for it.

This week, the world's largest airline ensured that this episode could not be released on time. To all of the listeners whose Monday mornings were tragically impacted by this unfortunate event, we at Munch My Benson are truly sorry.

Sadly, the writing staff of Season 13 of SVU was absolutely unapologetic in thoroughly trashing the second largest city in the state that SVU calls home. We've seen this show look askance at lesser states and provinces across the continent, but the glee with which this episode implies that Buffalonians will stop at nothing to ensure that their own children grow up in unsafe homes is truly shocking. Josh and Adam, of course, talk early childhood education, examine the films of Satyajit Ray and Michael Cimino, describe bottomless brunches and lil' squeezers, and plumb the depths of Rollins's depraved backstory. Enjoy!

After kicking things off with Adam’s tales of neglected hot tub maintenance, the Munchie Boys step into the world of early Season 13 where a new writing staff ventures off into a Stabler-less world. Where some episodes may not be as boldly helmed and written, this is a fantastically directed, process-concerned contemplation on how a rape and its ensuing investigation affects the victim in the days and weeks that follow.

It also features Munch’s former Homicide fellow detective after an apparent name change from Frank Pembleton to Bayard Ellis, who is apparently now a civil rights defense attorney. Yes, this one’s got none other than 11-time Emmy nominee (and two-time winner) Andre Braugher. Don’t worry, we also talk at length about a cast member’s involvement in a meditation cult and how it colors our undying appreciation of Mandy, the undeniable sexual energy between Braugher and Hargitay, and the notion of an SVU without Olivia Benson which was apparently in the cards.

This week we watched an episode unlike any other SVU in the catalog. A young girl from Kansas is abandoned by her Fireball-shooting friends, drugged with exotic psychedelics, raped, and forced to dig her own physical and metaphorical grave by the acolytes of a famed radical psychologist who just so happens to have been SVU's own resident Alice-In-Wonderland-expert Amanda Rollins's former guru. Between blue rape avatars, expensive music cues, and extensive literary references, things get pretty weird. This, of course, is all just fuel for the Munch fire as Josh and Adam discuss the hero's journey; pedicab culture; early 20th century Swedish folklore illustrator, John Bauer; famed ethnobotanist and drug user, Terrence McKenna; famed memoirist and sex haver, Anaïs Nin; and whether or not we're too old to pick up trendy new drug habits. This is a wild ride folks. Hold on tight!

Faced with an episode with a helluva third act left turn, Adam and Josh reckon with a first-half A-plot borrowing heavily from the Terri-Rick saga in Degrassi before the second half shockingly grasps for a ripped-from-the-headlines story with a crooked juvenile court judge inspired by the nefarious goings-on in Luzerne County, Pennsylvania. This leads to an exploration of both the Luzerne County Kids for Cash scandal and the grotesque systemic judicial overreach currently happening in Rutherford County, Tennessee.

Don’t worry, Josh and Adam find plenty of non-infuriating things to talk about, including the bizarre connection between Melinda McGraw and Alex Kingston, delightfully impossible photoshopping, Icelandic reproduction clearance apps, Lehman Brothers tearing the US economy to shreds, the origins of sexting, what other franchise Stuckey really belonged in instead of SVU, and (of course) Meloni’s rock-hard buns.

Come get some.

Josh and Adam get a little loose in this late-night follow up to last week's wild William-Lewis-fueled terror ride. Since "Post-Mortem Blues" is the rare SVU without a case for the squad to investigate, or really much of a plot at all, the Munchie boys complain about life and then wander from current (as of early December 2021) events and HBO's Succession, to method acting and the limits of attorney-client privilege on their way to placing this episode where it belongs in the show's pantheon.

Having drawn the all-timer “Beast’s Obsession” (S15E20) this week, the Munchie boys reckon with the Unit reckoning with Sgt. Olivia Benson reckoning with an escaped William Lewis, in quite possibly the torture-porniest episode of SVU in its storied history. With one of the most infamous perps in the 23-year-and-counting history of the show heinously raping, disfiguring, and dropping bodies left and right, Adam and Josh are left to watch in horror as Liv is once again shown to only be able to have a sex life in which violence is a key component and as featured extras are ignominiously and exploitatively corpsed for what they hope was at least SAG scale. They also lament the end of two acting careers before they’d really been able to begin, as two very young females were put through the violently sexually inappropriate grinder to further the horrific legend of Liv’s biggest tormentor.

As always, Adam and Josh veer off course with reckless abandon, exploring such varied topics as the job prospects for audition-shy mandolinists in NYC, the proper placement of dream catchers, why this show is so clearly anti-Bang energy drink, whether it’s gauche to lay the groundwork for an extramarital affair while working a protection detail, and Adam’s personal bridge rankings and grocery store journey through New York. So strap in for a wild ride, as Liv goes is on the bullet train to hell and we're all passengers alongside her.

When The Wonder Years ended almost 30 years ago, no one could have imagined the incredibly dark turn that Kevin Arnold's life would take. Yes, Mr. Arnold's death, Paul's going to Harvard, and Winnie to a long and successful career on the Hallmark Channel were all disturbing outcomes, but this is much worse. This SVU shows little Kevin Arnold beating, raping, and then re-victimizing women across the Upper West Side. This obviously provides tons of fodder for the Munch mill as we dig into a really great episode of television. We talk Jeopardy! prep, our favorite lawyer lover plot twists, and Josh takes us on a particularly unexpected trip through the shenanigans of the Warwick R.I. city council. Enjoy!

Yet another Season 19 episode of SVU leaves the Munchie Boys scratching their heads wondering in just what world is this even occurring. Opening with an improbable YouTuber montage and having the case of the week closing with a full seven minutes of run time remaining to open the door for an SVU lyceum at a high school, this week’s 13 Reasons Why-inspired episode (Season 19, Episode 4 “No Good Reason”) is operating at one of the strangest frequencies we’ve encountered. This one forces Adam and Josh to reckon with vlogging that makes Eighth Grade seem totally comfortable, how and when they’re going to have to get a ChatSlam account for the podcast, and the murky demise of Chester Bennington and Chris Cornell.

On this week's Munch My Benson, we wonder openly if the world would be a better place if the two leading actors from a certain 1985 Peace Corps comedy had a little less chemistry. While we certainly do break down this Season 12 stinker ("Delinquent") from the dark days just before Meloni left SVU, we go hard on the digressions in this one folks, so get ready for the only SVU podcast brave enough to incorporate Dolph Lundgren's Japanese bonafides, Finnish art house darling Aki Kaurismäki, and radical fecal gymnastics in a single episode.

Super famous Oscar-, Emmy-, and Tony-winning actor Jeremy Irons sashays through this week’s wonderfully messed up episode of SVU, attempting to reckon with his out-of-control Cape Cod Summer o’ Sex two decades prior. Of course, if it comes up in the course of an investigation on this program, you know the effects are still being felt of his indiscriminate adulterous boning of everything that moved in Falmouth, and this time, they’ve gotten his daughter and her lover attacked.

This gleeful voyage into the world of sexual addiction is fertile ground for plenty of discussion about such subjects as: parsing the paradoxical simultaneous adoration of Tony Blair and loathing of George W. Bush, tattoo critique, teen boys having pervdar, the strange ol’ days of Spice, summers on the Cape (and the corresponding nighttime water temps), the Kamadeva, and the broad, beautiful spectrum of paraphilias. Turns out, there’s tons of fun to be had when Jeremy Irons is a recovering sex addict trying to get his addiction codified in the DSM-5.

This week, Josh and Adam are thrust into a terrifying world where the laws of physics and mankind are tossed aside without hesitation. That world is called Chicago. Our SVU for this week is sandwiched in between an episode of Chicago Fire (S3E7 “Nobody Touches Anything”) and a Chicago P.D. (S2E7 “They’ll Have to Go Through Me”). While one does not need to watch either of these to enjoy our SVU, we obviously dove into the deep end with a fun-loving crew of Vegas-visiting, zumba-instructing, bounty-hunting firefighters and then waded through the muck with a morally dubious band of police officers. It provided us with a veritable matryoshka doll of tangents within tangents as we break down all the action from nearly 3 hours of television. We talk Shirley Chisholm and the Chelsea Piers. We speculate about the kind of person who gets a Joe Paterno tattoo in 2021, and Josh gets Chicago pilled.

When proffered the box of “Pandora” (S4E15)—phrasing?—Josh and Adam were forced to deal with yet another episode of SVU wherein many children fell victim to an international cabal of pedos, complete with one getting to proudly espouse his party platform to the detectives of SVU and a network television audience. This one hurtles forward at breakneck speed, taking Elliot from New York to Prague and back before the final act has even started. Along the way, Adam and Josh marvel at the way that early SVU writers had no real concept of how computers and the internet worked, the defenestrations of Prague, the endless stream of actors who REALLY pass for pedos in the SVU stable, and the emergence of Zero Dark Stabler. We’ve said it many times previously, but the label definitely fits here—this one is wild.