Having drawn the all-timer “Beast’s Obsession” (S15E20) this week, the Munchie boys reckon with the Unit reckoning with Sgt. Olivia Benson reckoning with an escaped William Lewis, in quite possibly the torture-porniest episode of SVU in its storied history. With one of the most infamous perps in the 23-year-and-counting history of the show heinously raping, disfiguring, and dropping bodies left and right, Adam and Josh are left to watch in horror as Liv is once again shown to only be able to have a sex life in which violence is a key component and as featured extras are ignominiously and exploitatively corpsed for what they hope was at least SAG scale. They also lament the end of two acting careers before they’d really been able to begin, as two very young females were put through the violently sexually inappropriate grinder to further the horrific legend of Liv’s biggest tormentor.

As always, Adam and Josh veer off course with reckless abandon, exploring such varied topics as the job prospects for audition-shy mandolinists in NYC, the proper placement of dream catchers, why this show is so clearly anti-Bang energy drink, whether it’s gauche to lay the groundwork for an extramarital affair while working a protection detail, and Adam’s personal bridge rankings and grocery store journey through New York. So strap in for a wild ride, as Liv goes is on the bullet train to hell and we're all passengers alongside her.

When The Wonder Years ended almost 30 years ago, no one could have imagined the incredibly dark turn that Kevin Arnold's life would take. Yes, Mr. Arnold's death, Paul's going to Harvard, and Winnie to a long and successful career on the Hallmark Channel were all disturbing outcomes, but this is much worse. This SVU shows little Kevin Arnold beating, raping, and then re-victimizing women across the Upper West Side. This obviously provides tons of fodder for the Munch mill as we dig into a really great episode of television. We talk Jeopardy! prep, our favorite lawyer lover plot twists, and Josh takes us on a particularly unexpected trip through the shenanigans of the Warwick R.I. city council. Enjoy!

Yet another Season 19 episode of SVU leaves the Munchie Boys scratching their heads wondering in just what world is this even occurring. Opening with an improbable YouTuber montage and having the case of the week closing with a full seven minutes of run time remaining to open the door for an SVU lyceum at a high school, this week’s 13 Reasons Why-inspired episode (Season 19, Episode 4 “No Good Reason”) is operating at one of the strangest frequencies we’ve encountered. This one forces Adam and Josh to reckon with vlogging that makes Eighth Grade seem totally comfortable, how and when they’re going to have to get a ChatSlam account for the podcast, and the murky demise of Chester Bennington and Chris Cornell.

On this week's Munch My Benson, we wonder openly if the world would be a better place if the two leading actors from a certain 1985 Peace Corps comedy had a little less chemistry. While we certainly do break down this Season 12 stinker ("Delinquent") from the dark days just before Meloni left SVU, we go hard on the digressions in this one folks, so get ready for the only SVU podcast brave enough to incorporate Dolph Lundgren's Japanese bonafides, Finnish art house darling Aki Kaurismäki, and radical fecal gymnastics in a single episode.

Super famous Oscar-, Emmy-, and Tony-winning actor Jeremy Irons sashays through this week’s wonderfully messed up episode of SVU, attempting to reckon with his out-of-control Cape Cod Summer o’ Sex two decades prior. Of course, if it comes up in the course of an investigation on this program, you know the effects are still being felt of his indiscriminate adulterous boning of everything that moved in Falmouth, and this time, they’ve gotten his daughter and her lover attacked.

This gleeful voyage into the world of sexual addiction is fertile ground for plenty of discussion about such subjects as: parsing the paradoxical simultaneous adoration of Tony Blair and loathing of George W. Bush, tattoo critique, teen boys having pervdar, the strange ol’ days of Spice, summers on the Cape (and the corresponding nighttime water temps), the Kamadeva, and the broad, beautiful spectrum of paraphilias. Turns out, there’s tons of fun to be had when Jeremy Irons is a recovering sex addict trying to get his addiction codified in the DSM-5.

This week, Josh and Adam are thrust into a terrifying world where the laws of physics and mankind are tossed aside without hesitation. That world is called Chicago. Our SVU for this week is sandwiched in between an episode of Chicago Fire (S3E7 “Nobody Touches Anything”) and a Chicago P.D. (S2E7 “They’ll Have to Go Through Me”). While one does not need to watch either of these to enjoy our SVU, we obviously dove into the deep end with a fun-loving crew of Vegas-visiting, zumba-instructing, bounty-hunting firefighters and then waded through the muck with a morally dubious band of police officers. It provided us with a veritable matryoshka doll of tangents within tangents as we break down all the action from nearly 3 hours of television. We talk Shirley Chisholm and the Chelsea Piers. We speculate about the kind of person who gets a Joe Paterno tattoo in 2021, and Josh gets Chicago pilled.

When proffered the box of “Pandora” (S4E15)—phrasing?—Josh and Adam were forced to deal with yet another episode of SVU wherein many children fell victim to an international cabal of pedos, complete with one getting to proudly espouse his party platform to the detectives of SVU and a network television audience. This one hurtles forward at breakneck speed, taking Elliot from New York to Prague and back before the final act has even started. Along the way, Adam and Josh marvel at the way that early SVU writers had no real concept of how computers and the internet worked, the defenestrations of Prague, the endless stream of actors who REALLY pass for pedos in the SVU stable, and the emergence of Zero Dark Stabler. We’ve said it many times previously, but the label definitely fits here—this one is wild.

We at Munch My Benson like to go off on tangents, and the intellectual fuel provided by "American Tragedy" (S15E3) propelled us pretty far out there. We learn about old New York when it was still basically New Amsterdam; we break down Cybill Shepherd's accent as it wavers in and out of caricature; we delve into the Trayvon Martin and Paula Deen cases from whose headlines this episode was ripped; we learn about John Cougar Mellencamp's extended family; and, we definitely talk about whether or not it's socially acceptable to deck a bald man in the middle of the night on a lonely street corner. Enjoy!

Mere weeks after covering its successor in the Baby Doe Parentage Saga, the Randomizer selected “Undercover Mother” (Season 16, Episode 15) for the Munchie Boys to cover. Undercover Mother is frankly an insufficient moniker to give this episode, as another mother goes undercover for our undercover mother, along with most of the rest of the Unit. Insanity reins supreme as SVU’s undercover op interferes with Declan Murphy’s own undercover op, one in which he’s working on taking down the brutal Johnny D but not without showing that he’s in so deep that he’s basically a human trafficker himself. We talk the careers of Lili Taylor and Donal Logue, the history of the defunct Creedmoor Psychiatric Center, Eric Adams’s purported sleep schedule, SVU’s love for undercover ops, and much, much more.

It's a bittersweet week on Munch My Benson as we say goodbye to a character who predates Law & Order: SVU itself ("Wonderland Story" S15E5). Thankfully, John Munch's going away party gives us plenty to discuss. Josh talks for a solid ten minutes about a no-line featured extra (albeit a particularly influential one). Adam describes his ongoing, probably imagined, but possibly real feud with legendary playwright David Mamet. We also talk Delco accents, imagine Rollins's post-sobriety social life, and get deep into the world of caterer-waitress fetishism. Come revel in the storied career of one of televisions most memorable detectives, and please Munch everyone's Benson.

The Munchie Boys faced down a stark depiction of hard-scrabble life in the projects in Guardian (Season 19, Episode 21). As this is Chernuchin’s special brand of SVU, nuance is nowhere to be seen, and stereotypes nearly exclusively populate this world. But don’t think that just because this episode centers around a brother who’s pimped out his mother and sister that there aren’t the typical diversions, including a diatribe on French roast, a dive into the Five Percent Nation and its influence on ‘90s hip-hop and preservation of New York in 1968, and a brief discussion about the grotesque miscarriage of justice that was the arrest and conviction of the Central Park Five. It’s just another wild week in Munchland.

People, this episode of Law & Order SVU ("Strange Beauty" S13E22) is why we do this podcast. Steve from Sex And The City pays women for the pleasure of removing their left legs so that he can "appreciate" their "improved" bodies. If this doesn't make you stop what you're doing and ask, "WTF?", I don't know what will. This show manages to impugn dentistry, cab drivers, Sikhism, car services, pigeon handlers, bike mechanics and especially (like especially especially) psychiatry, and yet it treats the potentially fraught subject of extreme body modification with a reasoned and compassionate touch. We, of course, dive into a variety of strange diversions including superfund site freeganism, what Melinda Warner is truly "into," and what you can—and cannot—get away with in a storage unit. This one is for the ages, folks. Enjoy!

When the Randomizer selects a late-season SVU, there is often a concern that sets in that we might not be getting the best of the insanity that SVU has to offer. That concern was UNFOUNDED with regards to “Motherly Love” (S18E10)—which is a banger in every sense of the word. After having seen nearly 500 episodes of SVU and recorded 77 episodes of a podcast about the show, it’s safe to say that the Munchie Boys have been subjected to some unimaginably shocking things, yet this one still dropped their jaws with its brazen impropriety.

So listen as Adam and Josh revel in a truly disturbing exploration of motherhood in its darkest form. This episode is as good an exemplar as any when trying to describe why this podcast exists.

When The Randomizer chose the week's episode—Venom (S7E18)—listeners would be forgiven for thinking they might be embarking on an hour's worth of sub-par television, but they'd be wrong. This—the first half of Ludacris's voyage through SVU (we covered part 2 in Episode 51 of Munch My Benson, "You Can't Eat Ethan Hawke")—features some standout performances and wildly inappropriate content. The Munchie Boys obviously break it down in lurid detail and answer an assortment of essential questions: How to dig a shallow grave? Why are they still making courtroom dramas? What are Liam Neeson's most underrated films? And of course, how many times is too many times to say "nips out on a gurney?" This one will make you wish Tej Parker would open up an East Coast branch of his car-modding, bro-hugging crime syndicate. Enjoy!

The Randomizer has thrown the Munchies Boys into the deep end this week, thrusting them into the sixth staggered installment of a sex-trafficking saga centered around Noah’s father and a ragtag crew of severely traumatized sex workers—”Surrendering Noah” (SVU S16E23). Here, there’s a ton to unpack. How do they keep Baby Doe calm? Why did they slam Elliot at the end of the episode? Why did both Benson and Amaro think he’d be a good candidate for Sergeant? Buckle up, kiddos, it’s another wild ride, and this one has Nick Amaro riding off into the sunset after suiciding-by-cop Noah’s monster dad.

This week, the Randomizer (thanks, Flett) blessed us with an unforgettable episode of Law & Order SVU ("Unorthodox" S9E13). It starts with an absolute bang and then careens madly between isolationist ultra-orthodox Jewish sects and porn addicted preteens. Of course, we Munchers go even further afield as we question the existence of an upper peninsula, rank our favorite ape films, and uncover the supernatural engine that powers Casey Novak's courtroom success. This is truly an episode worth savoring. Enjoy!

When an episode of Law & Order: SVU contains such shockingly racist characters that Adam and Josh have to ask themselves what audio they can actually pull for an episode of this podcast that revels in wild inappropriateness, you know you’re dealing with some next-level racism. “Hate” (S5E13) has so much wrong with it that even the Munchie Boys were uncomfortable. While reckoning with the racism in every nook and cranny of this episode, the topics of fuel oil, man’s odd relationship with fire, the virtues of accurately mining stereotypes to avoid hiccups, reclusive authors' semi-famous sons, and how Captain America’s racist son reframes his legacy. If ever an episode needed a trigger warning, this one does for the discussion of anti-Muslim racism and a clip pulled from the show for begrudging reference which neither Adam nor Josh felt particularly good about pulling.

When we watched the conclusion to the two-part Season 19 finale ("Remember Me Too" Episode 24), we might have taken the opportunity to research the migration patterns of monarch butterflies or the structure of the Sinaloa Cartel or the various degree programs at Gonzaga were this a standard, functional installment of SVU. Instead, we were treated to a mind-melting melange of unbelievable plot lines, inconceivable character motivations, and abysmal acting. Was it good? Obviously not. Did we have fun watching and then excoriating this complete and utter waste of network resources? You bet we did.

What happens when the season from which light cannot escape—SVU’s 19th—bestows upon the world a two-part season finale? An unintelligible, unmitigated disaster. Reality and common sense fold in on themselves, and we’re all left to try to make sense of the hellish mess that is “Remember Me” (S19E23). When character motivation, logic, and how technology actually works are entirely discarded, you are left with a confounding mélange of nonsensical dialogue and wild conclusions with nary a passing relationship to reality. Needless to say, this ride—a wild one for all the wrong reasons—gave the Munchie Boys plenty to discuss.

Has your edging fetish turned you from a respectable snitch into a radical eco-terrorist? Are you curious about the lengths Law and Order: SVU would go to torture the poor extras whose unheralded and underpaid work transforms a film set into a living vibrant world? Are you dying to know what Medical Examiner Warner did during her year in Paris? For the answers to these questions, plus tips on how to decorate your anarchist bookstore, tune in to this week's Munch My Benson where we break down "Informed" (Season 8, Episode 1), which sees Olivia Benson screw up a rape case so badly that she ends up being forced by an implausibly accented Marcia Gay Harden to live with a bunch of bomb-throwing hippies for nearly three months. Please rate and review the podcast, and thanks so much for listening!