NYPD officers who've been serving in Afghanistan are getting pretty violent, domestically, and the Unit has to race against a *gasp* journalist to get to the bottom of what's going on in this week's Ripped from the Headlines edition of SVU. The Army are very bad, doctors are huge cowards, and journalists may or may not be bottom feeders in this screed where no cows are sacred and no army wife is safe.

Josh and Adam--both of whom are pretty big fans of Cutty in The Wire--are forced to watch an episode this week where Chad L. Coleman is seen Ray Rice-ing his special lady friend, played by the wonderful Meagan Good. That's not fun to watch, but it's also not fun to watch the SVUs acting against the victim's vehement wishes. It's even less fun to watch after Amaro (who is just back from beating a perp to within an inch of his life) blows up in the opening scene of "Spousal Privilege" (Season 16, Episode 8), making the audience wonder just what qualities in outburst-prone people determine that they get a second chance.

Don't worry, the Munchie Boys also use this episode to revel in RedChanIt, take notice of how many of the SVUs were abused as children, and dive deep into the life of NYC’s first black mayor, David Dinkins, who randomly had two lines in this episode.

We watched the impromptu finale of Season 21, which lost four episodes due to the COVID-19 pandemic in 2020. While that might not have mattered in most seasons of SVU, Season 21 was trying to do some things which definitely demanded resolution. Of course we talk about a whole range of ridiculous topics including early attempts at adding serialization to weekly procedurals, post-modern philosophy, and the Borg. Apologies for weird sound, particularly on Adam's track. He was having some software issues which hopefully have been resolved.

The Munchie Boys pick up where they left off last week, trudging through the murk as Ray’s tall brother faces the fallout from having been charged as a serial rapist while the Correction Officers’ Benevolent Association possibly threatens Barba’s life for having the temerity to come after one of their guys. This fallout includes the first—and thus far, only—time an officer on the Unit dies in the line of duty, which gives Adam and Josh quite a bit to mull over while wondering why the stakes were lowered so much before offing him. Any episode that has Chekhov’s gun go off while also not having Chekhov’s gun go off means there’s going to be plenty of plot discussion to be had. There are also plenty of discussions about the typically insane things that SVU forces one to reckon with, namely intimidation wizards, phantom door-locking chicanery, the hilarity of needing apple boxes in hostage shoots, and much, much more.

Faced with an episode with a helluva third act left turn, Adam and Josh reckon with a first-half A-plot borrowing heavily from the Terri-Rick saga in Degrassi before the second half shockingly grasps for a ripped-from-the-headlines story with a crooked juvenile court judge inspired by the nefarious goings-on in Luzerne County, Pennsylvania. This leads to an exploration of both the Luzerne County Kids for Cash scandal and the grotesque systemic judicial overreach currently happening in Rutherford County, Tennessee.

Don’t worry, Josh and Adam find plenty of non-infuriating things to talk about, including the bizarre connection between Melinda McGraw and Alex Kingston, delightfully impossible photoshopping, Icelandic reproduction clearance apps, Lehman Brothers tearing the US economy to shreds, the origins of sexting, what other franchise Stuckey really belonged in instead of SVU, and (of course) Meloni’s rock-hard buns.

Come get some.

This week’s entry into the annals of Munchstory—SVU, S21E5, “At Midnight In Manhattan”—sent Adam and Josh caroming between three different stories in a rare exercise in single-weekend, multi-case, mom-card trumping storytelling, heavily featuring Carisi and Kat learning the ropes on their respective new jobs. Along the way, they decry the misidentification of doors, lament casting miscues, weigh the virtues of manners in new environs, and work their way through the indignity of seeing a slew of rich men’s knees. So come for the shoe-shaming, and stay for the nap chat whilst getting your Munch on.

What happens when an accent choice derails an SVU where the initial crime is wrapped up in an open-and-shut murder at minute 19 and becomes a bizarre cold-case-cum-morality-play sans benefit of flashback? Well, the Randomizer selected “Persona” (Season 10, Episode 8), so Adam and Josh found out the hard way. For far from the first time in the run of Munch My Benson, a foreign-born actor plays fast and loose with a wavering accent. This time, the offender was two-time Oscar-nominee Brenda Blethyn, whose presence pulls a certain big gun down from the bench to settle a 34-year-old score. Along the way, the question as to whether this feminist text passes the Bechdel test, the greater concerns raised by Liv’s proclivity towards inappropriate actions, an exploration of just what “vile thing” meant in 1974-speak, and an alternate reality in which Benson DuBois chases down perps are all discussed.