When last week's episode ended with Olivia Benson being taken captive by über-psychopath William Lewis, we knew that we'd be going deep into the darkest hour of SVU's storied run this week. This is 43 full minutes of torture porn so bleak and visceral that it's honestly shocking it aired on network television. Please prepare yourself for how messed up this episode is. Thankfully, Josh and Adam munch it up by talking about a diverse range of European arthouse classics you wouldn't want to bring a date to, our coffeeshop orders, and whether or not Pizza Man exists within the Fur Humper Cinematic Universe. Oh, and lest we forget, Adam has an outlandishly bold theory which just might change the way you look at Olivia Benson forever. Enjoy!

The Randomizer decided that everyone needed to wallow in the darkness of the William Lewis Saga again, this time starting at the beginning with “Her Negotiation,” the season finale of Season 14 complete with cliffhanger leaving our hero Olivia Benson in a very dark place. This obviously means the Munchie Boys have to deal with fur-humping, Plein Air Painters, the life's work of Frederick Law Olmstead, and the shooting star that was Matt Harvey's early baseball career. Oh, and a pastiche serial killer drawing from some of the darkest imaginable sources.

Having drawn the all-timer “Beast’s Obsession” (S15E20) this week, the Munchie boys reckon with the Unit reckoning with Sgt. Olivia Benson reckoning with an escaped William Lewis, in quite possibly the torture-porniest episode of SVU in its storied history. With one of the most infamous perps in the 23-year-and-counting history of the show heinously raping, disfiguring, and dropping bodies left and right, Adam and Josh are left to watch in horror as Liv is once again shown to only be able to have a sex life in which violence is a key component and as featured extras are ignominiously and exploitatively corpsed for what they hope was at least SAG scale. They also lament the end of two acting careers before they’d really been able to begin, as two very young females were put through the violently sexually inappropriate grinder to further the horrific legend of Liv’s biggest tormentor.

As always, Adam and Josh veer off course with reckless abandon, exploring such varied topics as the job prospects for audition-shy mandolinists in NYC, the proper placement of dream catchers, why this show is so clearly anti-Bang energy drink, whether it’s gauche to lay the groundwork for an extramarital affair while working a protection detail, and Adam’s personal bridge rankings and grocery store journey through New York. So strap in for a wild ride, as Liv goes is on the bullet train to hell and we're all passengers alongside her.

Mere weeks after covering its successor in the Baby Doe Parentage Saga, the Randomizer selected “Undercover Mother” (Season 16, Episode 15) for the Munchie Boys to cover. Undercover Mother is frankly an insufficient moniker to give this episode, as another mother goes undercover for our undercover mother, along with most of the rest of the Unit. Insanity reins supreme as SVU’s undercover op interferes with Declan Murphy’s own undercover op, one in which he’s working on taking down the brutal Johnny D but not without showing that he’s in so deep that he’s basically a human trafficker himself. We talk the careers of Lili Taylor and Donal Logue, the history of the defunct Creedmoor Psychiatric Center, Eric Adams’s purported sleep schedule, SVU’s love for undercover ops, and much, much more.

When we watched the conclusion to the two-part Season 19 finale ("Remember Me Too" Episode 24), we might have taken the opportunity to research the migration patterns of monarch butterflies or the structure of the Sinaloa Cartel or the various degree programs at Gonzaga were this a standard, functional installment of SVU. Instead, we were treated to a mind-melting melange of unbelievable plot lines, inconceivable character motivations, and abysmal acting. Was it good? Obviously not. Did we have fun watching and then excoriating this complete and utter waste of network resources? You bet we did.

In this exercise in somewhat effective stunt-casting, Stabler gets pitted against his untethered analog, a rage-fueled annihilator of tween girls played by erstwhile star actor Matthew Modine. Yes, this week, the Munchie Boys took on “Rage” (SVU S6E17). In a structurally odd episode that pits rager against rager in a ticking-clock, nearly locked-room scenario until it suddenly isn’t and renders much of what preceded moot, Stabler tries to nab the one who got away while confronting his own anger management issues. Don’t worry, there’s also talk of malodorous food PsyOps, truly pornographic whistling, edging, the nature of the San Fernando Valley, Modine’s inability to shed his yuppie prick veneer, and so much more.

The most beautiful thing about Law & Order: Special Victims Unit is that it’s provided a truly insane platform for some of the most inspired stunt-casting in television history. Not only is “Slaves” (Season 1, Episode 22) a sterling example of what SVU can do in this arena; it’s the first foray into that arena for the show and blazed a helluva trail for any who followed this ‘80s Brat Packer. If you didn’t know you needed to see your beloved star of Mannequin and Weekend at Bernie’s Andrew McCarthy portray an exacting maniacal sadistic sexual psychopath, take our word for it, you need to see it here. Come and check out Andy Mac’s Crash-parry in the McCarthy/Spader kink-off because this is some next level insanity. This is MUST-WATCH SVU.