Late SVU gets down with influencer incubators this week, and we're treated to some pretty epic douchebros treating an up-and-coming TikToker very badly. This means there's timely pop music punctuating the cold open, some pretty brutal implementation of influencerese, and some odd Organized Crime storylines crossing over into this episode. It's a strange world we're stepping into this week, but that doesn't mean there's not plenty of Rollisi-related content to keep us going.

Imagine a world in which pilots were quasi-celebrities before having performed some heroic feat. No really imagine it. Then imagine a world where the heroic feat they perform to make them even more famous could only have happened because 9/11 must not have happened and a pilot could be left alone in a cockpit, locking the entire flight crew out while she erratically turns the plane around because she doesn't want to be trapped in the cockpit with her rapist. Then imagine that this is all occurring at an airline with a retrograde hypersexualized ad campaign that harks back to the ads for which Dick Wolf was responsible in his ad man days. Because this SVU does all that.

This week we meet a sex cult based in a mansion located north of Manhattan, so you know we are getting deep into a NXIVM-based, ripped-from-the-headlines SVU. Along the way, we talk knife handling, record collections, elite-level badminton, and extremely high-end security cameras. Also, Rollins is extremely pregnant (again), and this perp can smell the Al Pollack inside of her.

Sonny Carisi gets down and dirty with some pretty gnarly dudes in this week's SVU, which sends dearest Dominick undercover into a shelter populated by paroled sex offenders. One (or more?) of these parolees appears to be raping neighborhood women and the Unit has to figure out who's doing it before Carisi gets beaten to a pulp by meathead vigilantes. Luckily Michael Rapaport is around to save Carisi's bacon once, but is he the guy? This mostly effective episode leaves Carisi wondering aloud if maybe the sex offender registry is unfair when compared to say a murderer who gets out and doesn't have to tell a soul that they cut off someone's head with a dull machete.

If there is an episode of SVU featuring a worse version of Bad Amanda Rollins, the Munchie Boys have yet to come across it. Gambling Amanda gets in Dutch with an improbable art forgery/gambling outfit who use her massive debts to them to get her to be their evidence-disappearing cop on the take. Rollins do so much to warrant her immediate firing that it's shocking she made it another decade past this. More than that, for a solid half-hour, we're left to think she was forced to blow Declan while he's undercover in his first appearance. Dark, bad stuff is afoot, but don't worry, we also take plenty of detours into improbable names paired with nonsensical accents, Logue going full brogue, and how being an art history major from an Ivy makes you immune from the heat.

In our first brush with Season 23, the Randomizer (episode.lol) gifted us with the sight of that precious little Baby Boy Doe himself locked in a cage being forced to eat dog food by one of his friends. This kind of depravity only happens on SVU, folks. Of course, the madness only begins there as we are treated to a truly bonkers world where no child is ever, EVER safe. Along the way, the Munchie Boys go way off the rails with loads of esoteric content. Fans of that stuff will really enjoy the unedited Patreon edition which features an additional 40 minutes of fun.

Josh and Adam--both of whom are pretty big fans of Cutty in The Wire--are forced to watch an episode this week where Chad L. Coleman is seen Ray Rice-ing his special lady friend, played by the wonderful Meagan Good. That's not fun to watch, but it's also not fun to watch the SVUs acting against the victim's vehement wishes. It's even less fun to watch after Amaro (who is just back from beating a perp to within an inch of his life) blows up in the opening scene of "Spousal Privilege" (Season 16, Episode 8), making the audience wonder just what qualities in outburst-prone people determine that they get a second chance.

Don't worry, the Munchie Boys also use this episode to revel in RedChanIt, take notice of how many of the SVUs were abused as children, and dive deep into the life of NYC’s first black mayor, David Dinkins, who randomly had two lines in this episode.

Have you ever heard the old joke about the longest-running scripted drama in television history doing a bizarre ripped-from-the-headlines episode about two aging, hoarder brothers as a convoluted excuse to say nasty slurs on primetime TV? Oh, you haven't? Well, after you've seen "Alta Kockers," you will have. Oh, and one of these brothers, who hasn't left his mother's house since 1976, somehow becomes the literary voice of the present generation via his anonymously published novel. Sure.

This one is about as absurd as SVU gets, but thankfully wonderful moments from legends Judd Hirsch and Wallace Shawn, and some truly standout background acting prevent this from being an all-time stinker.

Plus: Special Contibutor Natalie graciously joined Josh with a dissenting opinion to tell us why our ranking of 'Service" (S19E18) which we covered in MMB 119 - No, Rollins Is A Tactile Detective was unfair.

What happens when a trailblazing female Army Ranger is sexually assaulted, jeopardizing a nationwide media blitz? The Munchie Boys found out this week, and whatever it was, it wasn't fun. Or good. Or memorable. Go along for the ride as they investigate Army guidelines for haircuts, bizarre Army propaganda, full pressers out of nowhere, and false accusations undercutting our victim's status as sympathetic figures.

Also find out how Adam liked his leaf-peeping that possibly infected an entire train full of yahoos, get more Hudson Fjord talk, and follow along as Adam and Josh wonder from what universe this truly unprofessional episode of SVU came.

Both Josh and Adam were a little sick when they recorded this one, but not nearly as sick as the twisted minds inside Michael Chernuchin’s SVU writers’ room who crafted this byzantine scheme wherein a 13-year-old girl convinces her 15-year-old sister to murder their own father, so she can become adopted by and live with the love of her life, a 30-something weirdo who lives down the hall who reads Shakespeare with her. Obviously, the Munchie Boys are forced to confront The Bard among many, many other topics including the real reason no one on SVU orders food at the Square Diner and the many spellings of “Catherine.”

To say Law & Order: SVU's historic treatment of the transgender community is fraught with problems is an understatement of epic proportions, and this week's episode--S17E13 Transgender Bridge--makes, ummm, progress? Of course, it's incremental at best, and much of the ground gained is immediately lost by jamming the episode full of racial stereotyping that plays rough.

This week's episode pushed the Munchie Boys so far out of their comfort zone that they brought in reinforcements in the form of a guest segment (for Munchies, this will be as an entirely separate Bonus Episode) with gracious trans listener Summer, who hopefully makes up for the two cishet honkies who host this weekly show and is more qualified to speak on how this episode still had a lot of work to do to get things right.

Hold onto your butts. This is a long one.

While SVU's attempts at sad morality plays about the children who slip through the cracks when publicly funded institutions are stripped to the bone to pay for advanced cod-pieces for our police forces don't always land, we at Munch My Benson always have plenty to discuss. When five-year-old Bruno wanders the streets in search of some tasty treats, did the store clerk try to get him arrested for shoplifting? When Benson goes hobnobbing with the hot stuff downtown, did her wardrobe match her pension status? Did Dodds just force Dodds upon the unit. Also, Rollins is ultra pregnant, and Whoopi Goldberg works a lot.

Picking up where we left off last week, things get even Durstier as ME/murderer Carl Rudnick jumps bail, leaving the Unit in his dust, making a break for the border, and giving us as close as we’re going to get to an SVU/Midnight Run mash-up. And of course, Rollins needs to keep being the Clarice to Yates's Hannibal, so he can smell how pregnant she is. Unlike a lot of two-parters, this one’s actually a lot of fun, with anything from Rollisi’s cholesterol-hardened livers and Buffalo fair game to be cut into on the slab.

In Part 1 of an epic double-episode of SVU, we see Rollins Clarice-it-up with the truly disgusting serial killer Dr Greg Yates, whilst ME Rudnick Robert-Durst's-it-up in a shocking series of ante-mortem dismemberment murders. Along the way, we talk about State Fair fare, address justified criticisms of the podcast, and debate whether or not serial killers have a peculiar sense of smell.

Sure, this SVU spends a lot of time presupposing that we are heavily invested in the lives of minor recurring characters, but it also introduces us to a delightfully crass BBQ slinger with a penchant for lewd double entendres and forces us to go down all kinds of wild Munchian rabbit holes. Does Rollins have a separate person for her vacations at clothing-optional, adult-only all-inclusives? What scandals have engulfed the world of professional canoeing? Is Adam capable of surviving as a single parent for more than a week? Did we just watch an extra torpedo a "career" in background acting for the chance at one pay bump? This is definitely one for the Munchie-curious as a full 45 minutes of banter about Josh's concert going, Lucas Duda, and the Yiddish language (among many, many other things) had to be left on the cutting room floor. Enjoy!

We see what happens when a bad mom and a dad with a ludicrously bad plan to snap her out of her bad mom-ness get together to ensure that their loving and sweet 8-year-old boy will suffer in the foster care system for the next 10 years of his life. Along the way we meet a lovable homeless man and an oft-interrupted yoga class, and we learn about Adam's hot life and Josh's cat-like reflexes. Munch away!

When we asked our Patrons to select an episode for us to watch, we were asking for a choice as depraved and cruel as this, the episode that see beloved ADA Rafael Barba exit the show in ridiculous (and frankly, insulting) fashion. This episode has everything--if by 'everything' you mean bad acting, nonsensical writing, bizarre plot holes, and Phillip Winchester attempting to cry. Bad though this episode might be, we have so much to talk about including whether or not it's a good idea to rear a spite child, Adam's day at the museum, and the importance of a showrunner. Fans of our digressions should head over to Patreon to hear extensive deep dives into Japanese Onsen culture and minor league baseball.

Why does Rollins hate sex workers? Why is Wayne Knight only in this episode for two minutes? Why did they commit zero screen time to showing why the perp did what he did? Why did they rip this story from the headlines to inelegantly wedge trans rights into the final third of the show? We watched "Service" from Season 19, and ideally there would be answers to all of those questions, but the Season 19 qualifier is all you actually need to know. There may not be answers to your questions. Such is life in Season 19 of SVU.

We watched the impromptu finale of Season 21, which lost four episodes due to the COVID-19 pandemic in 2020. While that might not have mattered in most seasons of SVU, Season 21 was trying to do some things which definitely demanded resolution. Of course we talk about a whole range of ridiculous topics including early attempts at adding serialization to weekly procedurals, post-modern philosophy, and the Borg. Apologies for weird sound, particularly on Adam's track. He was having some software issues which hopefully have been resolved.

The Munchie Boys pick up where they left off last week, trudging through the murk as Ray’s tall brother faces the fallout from having been charged as a serial rapist while the Correction Officers’ Benevolent Association possibly threatens Barba’s life for having the temerity to come after one of their guys. This fallout includes the first—and thus far, only—time an officer on the Unit dies in the line of duty, which gives Adam and Josh quite a bit to mull over while wondering why the stakes were lowered so much before offing him. Any episode that has Chekhov’s gun go off while also not having Chekhov’s gun go off means there’s going to be plenty of plot discussion to be had. There are also plenty of discussions about the typically insane things that SVU forces one to reckon with, namely intimidation wizards, phantom door-locking chicanery, the hilarity of needing apple boxes in hostage shoots, and much, much more.