When the Randomizer chose an SVU featuring one of the Munchie Boys' all-time favorite actors (Ian McShane) as the Harvey-Weinstein-esque heel in Warren Leight's triumphant return to showrunnerdom, we were understandably excited. While McShane shines, certain choices by said showrunner leave the boys baffled and wishing for what might (should?) have been.

Imagine a world in which pilots were quasi-celebrities before having performed some heroic feat. No really imagine it. Then imagine a world where the heroic feat they perform to make them even more famous could only have happened because 9/11 must not have happened and a pilot could be left alone in a cockpit, locking the entire flight crew out while she erratically turns the plane around because she doesn't want to be trapped in the cockpit with her rapist. Then imagine that this is all occurring at an airline with a retrograde hypersexualized ad campaign that harks back to the ads for which Dick Wolf was responsible in his ad man days. Because this SVU does all that.

We watched the impromptu finale of Season 21, which lost four episodes due to the COVID-19 pandemic in 2020. While that might not have mattered in most seasons of SVU, Season 21 was trying to do some things which definitely demanded resolution. Of course we talk about a whole range of ridiculous topics including early attempts at adding serialization to weekly procedurals, post-modern philosophy, and the Borg. Apologies for weird sound, particularly on Adam's track. He was having some software issues which hopefully have been resolved.