When we asked our Patrons to select an episode for us to watch, we were asking for a choice as depraved and cruel as this, the episode that see beloved ADA Rafael Barba exit the show in ridiculous (and frankly, insulting) fashion. This episode has everything--if by 'everything' you mean bad acting, nonsensical writing, bizarre plot holes, and Phillip Winchester attempting to cry. Bad though this episode might be, we have so much to talk about including whether or not it's a good idea to rear a spite child, Adam's day at the museum, and the importance of a showrunner. Fans of our digressions should head over to Patreon to hear extensive deep dives into Japanese Onsen culture and minor league baseball.

What happens when a new showrunner takes over Law & Order: Special Victims Unit and doesn’t understand the characters at all? Or how SVU tells stories? Well, the Randomizer selected “Gone Fishin’” (Season 19, Episode 1), so the Munchie Boys found out the hard way. Fin kidnaps a perp who absconded to Cuba? Dean Winters and Peter Jacobson coexist in an episode where Jacobson isn’t Bart Ganzel, Cassidy’s pimp employer from the Cragen waking up with a corpse in his bed three-part saga, challenging the strength of the space-time continuum? How ridiculous can a soundstage set that’s supposed to pass for Cuba get? The answers to these and so many other befuddling questions lie within the confines of this installment of Munch My Benson.

In Part 2 of our deconstruction of the epic two-parter, "Lost Reputation/Above Suspicion" (s14e01), Josh and Adam get deep into the nitty gritty of the pressing questions that energize Munchheads the world over: Which French noir director had a better grasp of mise en scene, Jean-Pierre Melville or Henri-Georges Clouzot? Is consensual knife play more GGG than paying escorts to talk to pathetic old men? Is Dean Winters actually, after all these years, a good actor? Find out the answers to these important questions plus a breakdown of the massive amount of plot in this mega episode of Law & Order: SVU.

The cliffhanging Season 13 Finale “Rhodium Nights” is an episode that belongs in the pantheon of SVU entries, featuring what has to be the most memorable ending in the entire series. This wild ride takes us down a slew of odd paths, including discoveries of Rollins’s economic beliefs, explorations into load volume, lamenting meddlesome US foreign policy, and travel recommendations for border towns. There’s TONS to talk about in this one, which is a truly shocking installment of television.