Another Paternity Leave Installment, and we're grabbing another wildly problematic episode pulled from the back catalog. As mentioned over the past couple of months, this has been behind the Patreon paywall for a while. Patreon payments are frozen for the time being. A few resourceful new Munchies have figured out a work-around where you can join as a free member and upgrade from there to a paid account which charges you for one month and unlocks the back catalog behind the respective tier of the paywall. After that first payment, you won't be charged again until we're dropping new content (which we'll warn everyone is coming), so if you want more of this it can be had, along with access to the fully uncut episodes from 100 to present and Movie Club episodes.

When proceedings kick off with a pooch gleefully dragging discarded afterbirth down the sidewalk, you know you’re in for something special. “Taboo” (S7E14) delivers on that opening promise, proffering some of the wildest, most disgusting things seen in the Munchie annals. As Adam and Josh frolic through the filth, they talk pseudocyesis, the history of Bellevue, bus fight Twitter, and the epidemic of incest in the U.S. And speaking of incest, wow, does this installment of SVU find a way to make something already SUPER disturbing mindblowingly revolting. This episode is so nuts, you’ll feel the Unit needs to interview you afterwards. Hold onto your butts coz this one is BONKERS.

In this week's episode Florida, the Munchie Boys are dragged into the Simon Marsden Saga, leaving them wishing they'd had been sent to Florida on a pointless side mission like Dean Porter was in this one. Alas, they're fully immersed in this Liv-servicing backstory, one which errs into some pretty painful narrative territory and squanders a golden opportunity to dive into what should be rich and interesting waters. There's a lot of next-level bad policework being done, and we're subjected to Olivia Benson channeling the worst impulses of Elliot Stabler, Amanda Rollins, and Nick Amaro in an episode in which nearly every action she takes is anathema to the character we’ve all known for 25 years.

When we think about what SVU is "about," things like advocating for victims of sexual abuse or normalizing coming forward about abuse or copaganda generally come to mind. This episode, however, is about something entirely different. It postulates that the entire state of New Jersey is irredeemably corrupt and downright evil. From the seagulling scumbags of the cold open to the heights of political and judicial power, the Garden State would appear to have no good side. Did onerous bridge tolls, overpriced beach towns, and the inability to pump ones own gas so poison the Season 15 Writers Room as to turn them this decisively against Jersey?