Realizing they had added an actor to the main cast but given him very little to do in the intervening episodes, vics tangentially related to Velasco via his parish priest back home bring Juárez screaming into this week's installment of SVU. Heavy on Mexico but light on events occurring with a semblance of storytelling logic, this episode bounces back and forth pretty dramatically between what could be called good and bad. Hold onto your cellphones and don't look both ways before you cross the street this week if you want to fit in.

Two dipshit wannabe writers on an uptown depravity tour lead the detectives at SVU into a truly outlandish world populated by avenging sister-moms and serial-rapists-made-good who are pushed back into serial raping by the heavy-handed approach of Stabler & Co. Along the way we learn about cleaning fish, proper wine breathing etiquette, and whether or not Ricardo from the Java Barn is the right guy to ask for illicit hard drugs. This episode revels in the early season insanity. Does it make sense? Does it have to?

When an episode of Law & Order: SVU contains such shockingly racist characters that Adam and Josh have to ask themselves what audio they can actually pull for an episode of this podcast that revels in wild inappropriateness, you know you’re dealing with some next-level racism. “Hate” (S5E13) has so much wrong with it that even the Munchie Boys were uncomfortable. While reckoning with the racism in every nook and cranny of this episode, the topics of fuel oil, man’s odd relationship with fire, the virtues of accurately mining stereotypes to avoid hiccups, reclusive authors' semi-famous sons, and how Captain America’s racist son reframes his legacy. If ever an episode needed a trigger warning, this one does for the discussion of anti-Muslim racism and a clip pulled from the show for begrudging reference which neither Adam nor Josh felt particularly good about pulling.